Bar 399

The bar at 399 Bloody Mary @ 399

Small bars, small bars, small bars.

Perth is awash with them of late. You’d almost think they’d sprung up overnight in a flurry of activity caused by the state government lovingly embracing the community and doling out liquor licenses like they were sewing corn into a big fertile paddock.

Of course the reality of the situation is pretty different. Most of the small bars that have opened in Perth recently have been a long time in the making. Legislation changes that were supposed to make it easier to apply for and be granted a small bar license, and thus be able stay open til midnight during the week and to serve drinks without food, have not exactly come to fruition the way the general public would have expected.

It’s been a long and often arduous road for the majority of these venues to get off the ground, jumping through hoops like training monkeys hoping not to have their bananas confiscated. Only to be rewarded with yet more trials and ordeals. I for one, however, am glad that those people persist in the face of inexplicable bureaucracy, or we wouldn’t have such interesting new venues like Bar 399 to tickle our collective fancies.

It’s situated at the top end of William Street next to one of my favourite Vietnamese restaurants, in a fairly nondescript location, that’s slowly building in potential for educated winers and diners out for a good time. The concept is simple, a small space with a bar down one side, booths down the other. A regularly changing wine list that isn’t based on any one distributor, bespoke cocktails from a group of experienced bar tenders, and a nightly meal of just one selection.

ECM ReflectionsNat serving at 399Havana Club at 399The bar at 399399 manager NatEspresso at 399Cheshire AlexNorthbridge styleratiHavana, where jazz musicans congregateBen n Jen at 399Bloody Mary @ 399Bloody Mary @ 399

The hook that got me in however was the master stroke of bacon and egg rolls and Bloody Marys served on a Sunday morning. $15 for a thick roll filled with lashings of bacon and a fried egg or two, and a peppery but piquant Bloody Mary is as fine a way to start a day as I can think of… A classy hair of the dog that even temporarily took the place of my dim sum ritual, which is a formidable opponent to almost everything.

I think it’s time to start rediscovering your city through the eyes of some of these venues. Perth is not, and will probably never be… Melbourne, but the more venues like this that open up, and the more people who start to build a following behind them, the better off we’ll all be.

Bar 399
399 William St, Northbridge

www.399bar.com

399 Bar on Urbanspoon

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Pata Negra

Jamon serrano from Pata Negra restaurant Spanish red wine from Pata Negra

David Coomer is about as close as Perth gets to food royalty. His Star Anise restaurant in Shenton Park has been a mainstay at the top end of the dining scene for many years, and his reputation for sourcing great quality produce and making beautiful dishes out of them has placed him at the top of his game.

Which is why there’s been such interest in his latest venture, Pata Negra. When the announcement was made that David Coomer was going to be opening a Spanish restaurant in Nedlands, a great thrill ran through the collective stomachs of the greater dining community of Perth, hoping perhaps, that someone would come and pull us up from the quagmire of mediocre tapas restaurants.

Imagine my surprise then, to run into David at my favourite Spanish providore (article coming), buying much of the same ingredients as I do for said new restaurants launch party (though perhaps in slightly larger quantities than I ever have). I took some delight in the fact that he had to put up with as much, if not more hassle dealing with Rosa the feisty Spanish providore as I ever have. Who’s opinion on food and all things Spanish is undeniably parochial, and ultimately final. Regardless of whether she’s talking to a novice or an award winning chef.

After chatting for a while David kindly invited me along to the media launch the coming Sunday evening, a chance to explain the concept and demo some dishes before a full restaurant opening the following Tuesday. I wandered around chatting to wait staff and chefs Matt Stone (former sous chef from Star Anise) and Kurt Samson (previously of the Builders Arms and Momo in Melbourne), who will be heading up Pata Negra while David controls the reigns at Star Anise. It was a great night and a chance to sample some of the menu in it’s infancy, which had the immediate effect of whetting my appetite for the real deal.

Now I’m not prone to rhetoric as much as other writers in the food game in our fair city, but I will say that despite the build up, and all the hype, my first meal at Pata Negra was fantastic. So forgive me if I leave out details of the rustic mismatched furniture and glassware, and the warmly arcane lighting fixtures. I’ll also also brush over the unexpectedly icy dash to the bathrooms via the outdoors, and the unexplained mineral water that was poured into the next door tables glasses. Which are not all superfluous, but didn’t detract from the experience.

The review starts here

It was Friday night and the place was packed. Open since Tuesday, this was their 4th night of service. I’d booked for 8:30pm, ringing the day before to make sure I could get a seat, but was reassuringly told by the manager that tables would be set aside every night for walk in traffic. Lazy diners of Perth unite ! You should be able to stroll into Pata Negra at any given time with no forewarning and land yourself a table. The tables in question are a series of small communal spots at the front. The rest of the restaurant seems to run with two sittings, one at 6:30pm (the early bird special) and the later at 8:30pm.

A quick peruse of the wine list while we waited for the table to be ready showed an interesting mix of Spanish and Portuguese wines, and Australian wines in the same vein. New world Tempranillo blends mixing alongside Douro and Rioja. It was nice to see some decent cheaper options amongst the mix too. The cheapest bottle of wine being $35, which is not bad for a restaurant of this nature. Though it’s immediately apparent that the style of this place is meant to be warm, fun, and casually intimate. We settled on a bottle of Portuguese Douro that I know virtually nothing about. It was medium bodied and fruit driven and was a wonderful match to many of the dishes.

So the food.

The menu is split into sections. Tapas at the top, which are all small dishes. Working down through different sections based on the type of dish. If I recall correctly it was Sea (seafood things), Earth (vegetable dishes), Land (meats), Queso (cheeses). I know I’m forgetting or mislabeling them, but will clarify at some point when I go back. All the dishes are designed to share, thought not necessarily as individual pieces. But the concept of the shared table seems to be a central theme. The dishes are predominantly Spanish in feel, though there’s a strong Moorish / Middle Eastern influence coming from Kurt Samson’s background in running Momo with Greg Malouf and his own personal style of hearty tagines.

We started with some of the pork crackle. To call it pork crackle though is almost a misnomer. It’s essentially lighter than air pork rind fried to puffy crunchy perfection, served with a yoghurt dipping sauce and paprika. The joy of crunching into them is a must for any true lover of the pig.

Pata Negra: Pork crackle Pata Negra: Kingfish Ceviche

Next up was some Jamon Serrano. At half the price of the restaurants namesake Jamon Iberico, it makes for a deliciously rich, salty indulgence. The fat is lovely and supple (though not as melt in your mouth as the pata negra), and it’s a generous portion of 40 grams for $15. A massive ham slicer sits atop the stairs in the entrance to the kitchen, which will no doubt get a considerable workout over the years as this place shaves many a leg of ham to it’s salty end.

A small anchovy fillet laid across a rich tomato salsa on a thin wafer was next. A wonderful combination of textures and flavours as it all came together in a satisfying bite.

Now a brief respite and a chance to collect thoughts, enjoy the wine, schmooze with other local food illumenati and choose some more dishes. The only problem so far is that there are far too many to choose from, that all look good.

So after some wrangling we settle on some wood roasted portobello mushrooms and the one dish it seems most food writers can’t go past… fabada. Fabada is a rich stew with confit duck, chorizo, ham hock, and beans (in this case lentils), quite similar to cassoulet… a lovingly rich rustic dish of epic proportions.

Let’s not get ahead of ourselves though. The wood oven at Pata Negra is a legacy of the pizza shop that used to be there a while ago. As a lazy university student I fondly remember walking past Sol Pizza on the way to somewhere else other than university. Hopefully my lack of patronage wasn’t why it closed in the first place… but regardless the wood oven works well, and is used to great effect by Pata Negra to create a number of their dishes.

The wood roasted mushrooms then, were an explosion of earthy joy. Juicy, dense, perfectly cooked… I could have had just that one dish and been completely satisfied. Shavings of parmesan over the top only enhanced the depth of flavour. How good they were, yet how simple, was quite simply astounding.

The Fabada came served in a cazuela. The confit duck consisted of one large maryland piece split in half, that fell apart at the mere thought of a fork. The lentils mingled with Rosa’s intensely spicy chorizo and smokey ham hock. It was exactly what I was hoping for. Homely, hearty, soul restoring.

For dessert, we couldn’t go past some of the house made Pedro Ximenez ice cream. Served with a sweet doughnut made from brioche and deep fried, then rolled in cinnamon and sugar. All I can say is thank God for a complete absence of churros, I miss you not. I also tried the poached persimmon, with yoghurt ice cream, sadly reaffirming the fact that I really don’t enjoy persimmon. The yoghurt ice cream rich and creamy, although I’ve been told I need to include in this review that my initial reaction was: “Wow, this yoghurt is really yoghurty”. Such is the brilliance of my observatory powers.

Pata Negra: ice cream churn Pata Negra: pedro ximenez ice cream, spanish doughnut

I finish the night with a glass of Pedro Ximenez and a smug expression on my face at a fantastic first meal in a new restaurant destined for great things. Is this Perth’s answer to Movida ? Only time will tell. But with what I’ve seen so far the sky is the limit. The team behind Pata Negra is committed to bringing great food to Perth. The service was quick and attentive, and you can tell they care about giving people the right kind of experience.

Get there soon and tell me what you think.

Pata Negra
26 Stirling Hwy, Nedlands
Phone: 08 9389 5517
Fax: 08 9389 5519
http://www.patanegra.com.au

Pata Negra on Urbanspoon

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The Ellington

A good start

The Ellington Jazz Club is arguably the best thing to happen to Perth since Daylight Savings reared its delightful head.

Those in the know will tell you that Perth is no slouch when it comes to the jazz scene. Perth has one of the most respected jazz programs in the country at WAAPA, which draws students from across Australia and indeed the world. We also have local artists like Troy Roberts, Jamie Oehlers, Ali Bodycoat, Russell Holmes, Daniel Susnjar, and of course Graham Wood, who rate up there as some of the best in their given fields.

It might then come as bit of a surprise that until recently Perth had not one club dedicated specifically to Jazz. Which is why there’s been such a ground swell of appreciation that Bernard Kong and Graham Wood have finally gotten The Ellington out of their heads and into reality. Not that it was easy mind you. The guys fought long and hard to be able to open the club, obtaining the first new liquor license in Northbridge in 8 years… incidentally which was finalised literally half an hour before the launch night.

Now I am certainly no jazz expert. In fact if it hadn’t been for my good friend Alex Millier inviting me along on a number of occasions I could very well have completely missed the point. Fortunately he persevered though, because it doesn’t take long before the intimate ensembles bring you in. The bass, the piano, the drums, the sax, the trumpet. All melding into pieces both abstract and harmonious. There’s something distant yet inviting about jazz, there’s a certain uniqueness about how each performer approaches a piece, which means there’s always something different to appreciate. And with a line up of fantastic local and international acts performing every night of the week, there’s a real sense of community happening around the club.

It also doesn’t hurt that The Ellington is a beautiful space. Low slung lighting, a big brass polished bar, separate lounge with a live feed from the stage upstairs (for those that like to talk during a performance), a solid wine list and some very generous serves of food. They’ve also created a very savvy website and online identity. Reaching fans and locals through facebook and twitter to great effect. Add that to the fact that it’s walking distance from my house and the door staff are lovely, and you can see why I love it so much :)

Potential for greatnessJamie Oehlers quartetJamie Oehlers : sax masterTiltLoneliness is an empty glassLukeBucket of joyAngelyneA good startLindaJazz WhispersThe ring leaderAlexGeorgiaA whole lotta bassAli Bodybag

If you live in Perth, and you haven’t been in to check it out yet, I’d highly recommend you do.

The Ellington Jazz Club
191 Beaufort St, Perth
http://www.ellingtonjazz.com.au/

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Jessie’s Curry Kitchen

Satisfaction

Finally back to the business of eating in Perth. I have long been missing the love of a good honest curry. Since the fateful closing of Suraj last year, there’s been a curry shaped void in my life that no amount of franchised Indian restaurants could fill.

Enter the charming Jessie and her curry kitchen.

Situated in a barely recognisable corner of Inglewood on the Beaufort St strip that holds so much potential for both greatness and disaster for potential dinner goers, you probably wouldn’t know it was there. If you did happen to walk past it, you’d more than likely assume it was just a dull little suburban Indian takeaway store and continue on your way to get a dodgy kebab… but then you’d be wrong.

What Jessie’s Curry Kitchen lacks in style, it makes up for abundantly in substance. Jessie works the kitchen, and her husband Jeya works the floor. Everything is made from scratch in the kitchen and the curries have a special quality to them that can only be construed as “love”.

The menu is a mixture of Indian and Malaysian dishes. There’s dosai, chapati, roti paratha, and selection of basic curries described succinctly as “chicken butter curry”, “chicken curry”, “fish curry”, “lamb curry”. No need for superfluous explanations or derivations as the flavours stand for themselves. The fish curry we had consisted of mackeral and had a texture so meaty I could have sworn it was chicken if I closed my eyes. I’m not sure if that’s a great compliment but for something so unassuming to completely surprise me is a rare and special thing. The lamb curry brims with clove and star anise, but doesn’t attack the senses. In fact all the dishes are quite reserved in the Johnny Cash (Ring of fire) sense.

Being from Sri Lanka originally before moving to Malaysia, there is also the added bonus of String Hoppers served up on weekends. They’re little bundles of rice noodles woven together into flat circles, and make a fantastic way to mop up dahl and curry.

Jessies Curry Kitchen : MenusCharles Melton : Rose of Virginia2007 Chalk Hill BarberaEye level BarberaJessies Curry Kitchen: Fish CurryJessies Curry Kitchen : Lamb CurryJessies Curry Kitchen : Chicken BiryaniJessies Curry Kitchen : Minimal ChicJessie in her kitchenDahlJessies Curry Kitchen : String HoppersJessies Curry Kitchen : ChapatiSatisfactionJessies Curry Kitchen : DoneJessies Curry KitchenJessies Curry Kitchen

On my most recent visit to Jessies with my dining entourage the meal started off with samosas, then moved on to every different type of curry, dahl, chicken biryani, hoppers, and roti. There was 6 of us, and I think the total bill came to around $114. Which was plainly ridiculous given the amount of gorging we’d all just done. Add to the fact that I don’t think Jeya charges anything for corkage, so the 3 or 4 bottles of wine consumed over the course of an hour or two were well and truly worth it. On a side note, I’m still to find a great wine to pair with curry, although a glass of Charles Melton “Rose of Virginia” donated by Mr Wino-sapien & family was perhaps a better choice than my Chalk Hill Barbera, which on it’s own is quite stunning, but with curry just seems to confuse things.

All romanticism aside, the place is small, pokey, hard to find if you aren’t looking, and has about as much atmosphere as a dentists waiting room, but once the food arrives it all just makes sense. Each time I’ve been there I’ve had strange moments where I catch the eyes of other diners and we share a look that somehow indicates we’re in the know. It’s a nod of the head and a sly smile (which could just indicate I’m about to get lucky) that says somehow we’re onto something here that no one else recognises, somehow we’ve come to find something quite special. And I completely agree.

Jessie’s Curry Kitchen & Cafe
869 Beaufort Street
Inglewood

Opening hours:
Wed to Sun: 11:00am to 2:30pm
5:30pm to 8:30pm
Mon: 11am to 2:30pm
Ph: 9271 8528

Jessie's Curry Kitchen and Cafe on Urbanspoon

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Masterchef Australia : Salmorejo with WA Marron & baby herbs

*

I came, I saw, I did not conquer.

The wiley among you would have guessed that my last post was in regards to Masterchef Australia auditions. Channel 10’s new big reality TV show for the year and the single train of though that has been occupying my mind for the past few weeks now.

I applied for the show before Christmas and then was pleasantly surprised to hear that I’d got an audition. The details for the audition were that we had to bring along one dish that would impress the judges. It should best be served cold, as there were no facilities to heat things up before they were tasted, and it should showcase your cooking ability and knowledge of flavours.

So being the resourceful food blogger that I am, I started scouring the internet and coming up with as many ideas as possible for a dish that would be seasonal, local, interesting but simple, and ultimately delicious.

With my trusty group of taste testers in tow I toured through the culinary landscapes. Starting off along the lines of a roast beetroot salad with goats curd, rocket, caramelised walnuts and orange, then went towards a roast pumpkin salad with blue cheese, toasted pine nuts and baby spinach, then ventured towards carpaccio of beef, tuna tataki, ceviche of king fish, gazpacho with morton bay bug tails. My taste buds then went a little sweet and I experimented with panna cotta, with frangelico and lime.

I took into account a lot of the great ideas put forward by all you lovely contributors and then a week before the audition I had an almighty cook-athon. Raiding the markets for the freshest, most delicious looking produce I could, then spending all afternoon prepping up all the potential dishes.

I called the taste testers over for a final opinion on the direction to go in. It was a one of the last dishes however, that caught their attention. Kam had casually dropped the idea of salmorejo into the comments, and so while prepping up the gazpacho, I left some tomato aside to make that as well. It was an instant hit and my direction was set.

Salmorejo is basically a cold Spanish soup made with tomatoes, stale bread that’s soaked in water, garlic, olive oil, and sherry vinegar. The hardest part about the dish is pronouncing it properly (sal-mor-echo), the rest is dead simple.

Pinchey Baby Herbs

Salmorejo comes from Cordova in Spain, and there it’s generally served with boiled eggs and jamon. I decided to serve mine with some local marron. Thinking the sweetness and lightness would be a great addition to the flavours in the soup, and getting a great suggestion from Deb about using baby herbs to give the dish some lift, without overpowering the flavour of the marron, as the chiffonaded basil I was using to garnish could be a little too much.

Once the main ingredients were set I diligently set about perfecting it. Trying as many different types of tomatoes as I could get my hands on, eating copious amounts of herbs at my local garden centre, and sourcing the freshest marron I could find. Fortunately Dad came to the rescue on that one, letting me know about a marron farm just outside of Corrigin. He rang up and they went out to the dams and fished some out just for me, then he drove them up to Perth in a box for me, well and truly alive and kicking (and ready to sever any fingers inadvertently left too close to the pinchey end).

The ingredients were thus finalised, and the night before the audition I sat up til 1am making the final batch of salmorejo and cooking the marron, ready for the 7:30am (!!) start time. How exactly I made it to the audition on time and awake I have no idea. But everything came together pretty smoothly.

Of course the auditions didn’t start at 7:30am. We instead sat in line for a good couple of hours while the camera guys and producers got little grabs of people looking excited and panned up and down the ever growing queue of people unnecessarily standing outside the building in the growing heat.

New queue buddies Manda, Tash, John, and I chatted about what we were all doing there in the first place, talked food, reality tv, and mused that we’d probably have the worlds best picnic with all the great food in everyones collective eskies at the moment.

So finally we get inside, sign our lives over to Masterchef and head into a little room to be briefed on the process. I’m not entirely sure what I signed when I put my signature to the release form, so I won’t give away any inside secrets about the show (not that I know any), but suffice to say it should be great to watch.

After our initial briefing we were split up into groups, and headed into our first audition session. About 10 people per group all went into a smaller room with a group of producers and assembled their dishes on a table up the front. Then two at a time talked about who they were and why they made the dish they made, and tasted the other persons dish and gave a little feedback on it.

I have to say all the dishes looked excellent, and all the ones I tried after the session tasted great. There was a terrine of chicken, lobster, and scallop, some vietnamese rolls with marron, a japanese tofu custard, a smoked salmon stack, a nectarine and pomegranate salad with lamb, a mango pudding with layers of panna cotta and jelly, a flourless chocolate liqueur cake with a berry sauce, scotch eggs with home made chutney, a layered salmon tartare, and a number of other different and wonderful dishes.

My salmorejo was very well received by everyone who tried it though. I was really happy with how the flavours came together and it looked great on the plate. When I heard my name called out for the second interview I was super happy. Those who made it through gathered anxiously outside, and those who didn’t were bid a fond farewell. It was surprising the amount of camaraderie generated in such a small time…but I guess that’s what being part of a shared experience can do to you.

Then on to my second interview with some other producers. I took my second plate of the soup and marron in and placed it delicately on the table in front of them, only to have them mostly ignore it and get straight to the nitty gritty of why I deserved to be on the show. I did my best to justify just how keen I was and made sure to emphasise keywords like passion, dedication, commitment, and honesty… a motivation speaker would have been so proud of me.

Then, when I thought it was all over, I had another chat with yet another producer. This time the lovely Keily, who wanted to know all about where I came from and what I liked, and if I were a food, what food would I be. It was all quite comfortable and positive when I left it was with a fairly strong idea that I’d be getting a call back for the next round of auditions, where I’d have to prepare a dish and present it in front of the judges for real.

So when the call came through at 8pm that night saying sorry, you didn’t make it through, I will admit, I was a little disappointed. Ok, very disappointed. But what can you do really. It’s TV, they have a specific group of people they are looking for and I guess I didn’t fit into whatever that was. If my dish hadn’t of been so well liked I think I’d be more upset, but as it stands I did everything I wanted and said everything I felt I needed to in the auditions to represent who I am.

Pretty much anyone who knows me will know just how competitive I am, but at the same time I won’t get hung up on things I have no control over. Plus as much as I’d like to hate everyone else who did get through to round 2, everyone I met was really nice and I have nothing but good things to say about the whole audition process.

So to all the lovely people I met over the course of the day (Tash, Manda, John, Rob, Charles, Antoneo, Patrice, Pete) I wish you well and look forward to seeing just who does go through to be the first Australian Masterchef.

And now… how about the recipe for my dish.

Salmorejo with West Australian Marron and baby herbs

You will need

  • Roughly 500g of tomatoes – the reddest ripest you can find, I tried about 4 different types
    and eventually settled on baby roma tomatoes which were plump and red and super sweet
  • 200g stale bread – I used a loaf of sourdough that was left out for a few days, but really any kind of bread would be fine, just not multigrain.
  • 3 or 4 cloves of garlic – vary this depending on how strong you want the garlic to come through
  • 2-3 tablespoons sherry vinegar
  • 100 ml of good olive oil
  • salt and pepper to season to taste

How I made mine

Depending on your tomatoes you may want to peel and core them before you start. I was using baby tomatoes and it wasn’t really an option, so I instead blended whole in a food processor and then strained them through a sieve to get rid of the skin and seeds. If you however, have a thing for peeling tomatoes (or you’re some kind of sadist) then you’ll get a great result that way too.

So blend the tomatoes with the garlic cloves, soak the bread in water til it’s soggy, and then squeeze the excess water out. What you’re basically making is a tomato emulsion, and the bread is here to stabilise and thicken it, and give it a nicer consistency.

While the food processor is still going, add the bread bit by bit until it’s all smoothly blended. It should be somewhat thick at this stage. Check the flavour and consistency and then add your sherry vinegar to taste, and gradually blend in the olive oil until you’ve got the consistency and flavour you like.

This soup is a real vehicle for the produce. So the better the tomatoes and olive oil you use, the better it’s going to taste. Once all of that is blended through, add salt and pepper and perhaps more sherry vinegar to taste, and more bread if you need to change the consistency.

Then either into the fridge for a while to chill it right down, or get a bit tricky a blend 3 or 4 ice cubes into the mixture for a quick cool down. I think it tastes better the colder it is, especially on baking hot Australian summer days.

The marron I simply cooked whole in salted water (after putting them into the freezer for 15 minutes to put them to sleep, and pushing a knive down through their heads between their eyes for a quick, tho still traumatic enough, death).

My final dish is then just arranging the soup on the bottom, a small mound of chopped and lightly seasoned marron into the middle of the dish, and a delicate topping of baby herbs on top. I ended up using baby basil, purple basil, asian parsley, and coriander. An elegant swirl of olive oil and the dish is ready to serve.

I recommend making a large bowl of it and watching Master Chef while bitching and moaning to your friends about what might have been :)

Slow Food: Oysters and Sparkling Wine

Slow Food Oysters & Wine Slow Food Oysters & Wine

If ever you needed an event to tell you how great an organisation Slow Food is, this was it. Slow Food Perth recently hosted a fantastic event featuring freshly schucked oysters courtesy of the oyster man himself Jerry Fraser, paired with two stunning local sparkling wines, The Sparkplug Riesling from Oranje Tractor and Cosham Method Champenoise Pinot Noir Brut.

There’s something about the combination of oysters and sparkling wine that just works. The fresh zing of the wines, and the soft effervescent bubbles are a great counter point to the lush creaminess and briney essence of the sea of the oysters.

Along with a bit of a chat about the wines, Jerry gave us a breakdown on why you should never order pre-schucked oysters, and how best to appreciate them. Cooking is definitely out… Kilpatrick sympathisers should stick to cheese on toast as far as Jerry is concerned, and to fully appreciate the flavour they should first be swirled around your palate and then pushed to the roof of your mouth, much like a good wine might be. The difference in flavour when you do it this way is remarkable. The creaminess coats your mouth each time and lingers long after, til the wine works it magic.

Oyster virgin Jon came along and was hooked after the first one. Deciding eventually that a squeeze of lemon juice was the perfect accompany for him, to which I’m inclined to agree. A zest edge to the oysters creamy salt. We ate and drank our fill for as long as we could keep it together, before going out to continue the festivities.

Now having acquired an oyster knife and with Jerry on speed dial, I know how I’ll be seeing the New Year in. For a bit of help as to how the man himself schucks, check out the pictorial below.

Oyster Schucking Pictorial

Oh, and join Slow Food. You don’t need to be an activist to enjoy great food and wine with like minded people. Thanks must also go to Rochelle Adonis for offering her beautiful new nougat studio in Northbridge for the event, and for letting Jon and I sample her wares ;)

Menu For Hope

menu_for_hope

Menu for Hope is an annual fundraising campaign hosted by well known food blogger Pim of Chez Pim and a revolving group of food bloggers around the world. Five years ago, the devastating tsunami in Southeast Asia inspired Pim to find a way to help, and the very first Menu for Hope was born. The campaign has since become a yearly affair, raising funds to support worthy causes worldwide. In 2007, Menu for Hope raised nearly $100K to help the UN World Food Programme feed the hungry.

I’ve always been a bit blasé about getting involved in causes. I like the idea of helping, but I’m generally happy for someone else to do it. Of course, that’s entirely the wrong attitude to have. For anything to get changed and make a difference, it takes the efforts of lots of people. So this year I’ve decided to get involved and offer a prize, and am pleased to announce Fiori Coffee have kindly donated a great prize, consisting of a barista training course and a gourmet coffee hamper !

Fiori Coffee

The prize pack includes a 2.5 hour professional barista training course for 1 person and a hamper consisting of 6 x 250 gram bags of fresh roasted coffee, 1 bag of chai, 1 bag of hot chocolate and a stovetop espresso maker (moka pot). All up valued at $250.

If you’re a coffee fanatic and that sounds like something you’d like to win (and you live in Perth, Western Australia), then please follow the instructions below in order to purchase some raffle tickets, which put you in the running to win.

My good mate Ed from Tomatom is coordinating the Asia Pacific entries, so please head over to his site to view the rest of the prizes on offer. And if you like mine, then remember to quote reference number AP14 when you buy your tickets.

Donation Instructions:

  1. Choose a prize or prizes of your choice from our Menu for Hope at http://chezpim.com
  2. Go to the donation site at http://www.firstgiving.com/menuforhope5 and make a donation.
  3. Each $10 you donate will give you one raffle ticket toward a prize of your choice. Please specify which prize you’d like in the ‘Personal Message’ section in the donation form when confirming your donation. You must write-in how many tickets per prize, and please use the prize code.
    For example, a donation of $50 can be 2 tickets for EU01 and 3 tickets for EU02. Please write 2xEU01, 3xEU02
  4. If your company matches your charity donation, please check the box and fill in the information so we could claim the corporate match.
  5. Please allow us to see your email address so that we could contact you in case you win. Your email address will not be shared with anyone.